Wow, time’s just flying by this fall. Not that I didn’t expect it to with everything going on. Now it’s baseball playoff season, another issue of kadar koli is almost ready to go, and Tex State’s online litjo — which, I’m happy to say, includes a new poem by Nathaniel Mackey, as well as my interview with him, a review of his book Paracritical Hinge, and video of his reading at Alkek — goes live tomorrow.
Meanwhile, I thought this was hilarious — a list of the 50 worst songs of all time. Here’s some of my favorites, which I pulled out partially because they bring back pleasant, pop-fueled memories of the mid-Eighties:
23
COREY HART
“Sunglasses At Night†1984
If you look up one-hit wonder in the dictionary, this is what you’ll find
Over a keyboard riff that sounds more than a little like that of “Sweet Dreams (Are Made of This),†the brooding Quebecois Hart mugged worse than Derek Zoolander as he extolled the virtues of going incognito. With its lack of anything resembling a human being playing an instrument, this is disposable synth-pop at its most bubblegum.
Worst Moment The chorus, in which Hart warns, “Don’t switch a blade on the guy in shades, oh, no,†was an attempt at tough-guy posing, but it made him sound like the musical equivalent of Judd Nelson in The Breakfast Club. That is, not very tough at all.
[that hurts -- I modeled myself (and my haircut!) on this guy when I was a teenager]
19
MR. MISTER
“Broken Wings†1985
The thoroughly nasty sound of yuppie angst
“Broken Wings†is primarily annoying not for its anodyne mid-’80s production, nor for its lyrics, which make its central protagonist sound like someone you would seek a restraining order against (“You’re half of the flesh, and blood makes me whole,†he sings, reaching for the duct tape and the nail gun). It’s primarily annoying because it’s a four-minute intro with no song attached. When the booming drums finally kick in, they announce the arrival not of a fantastic chorus or an epic finale, but the greatest anticlimax in pop, featuring what can only be described as a synth bass solo.
Worst Moment The synth bass solo.
[we loved this song -- even though we also made fun of it]
18
CHICAGO
“You’re the Inspiration†1984
And you thought the Cubs were the biggest losers in this town? Wrong!
It’s hard to believe, but at one point Chicago were a fairly well-respected rock band. Then Peter Cetera joined, and they jettisoned any remaining street cred in favor of soft-rock ballads your grandmother would deem harmless. In this, their most egregious offense, Cetera’s gratingly affected and overmodulated vocals float over 1984 standard-issue electric piano, and a nation of greasy, awkward seventh graders slow-danced for the very first time.
Worst Moment That power-rock drum fill before the second verse, apparently designed to mollify hatas who thought the band had lost its edge.
[this song has always been lame, but it was a home-coming and prom slow-dance staple all through high school]
6
HUEY LEWIS AND THE NEWS
“The Heart Of Rock & Roll†1984
A celebration of rock music …by a band seemingly intent on destroying it
Less a song than a craven attempt to curry favor from drunken arena crowds trained to roar on cue when they hear their city’s name mentioned. Coming off more like one of your dad’s golf buddies than a rock star, Lewis rattles off a list of American cities in a monotone so bland that subbing in “Bakersfield†for “San Antone†would drive the fans wild, and hopefully distract them from the fact that the bar band–caliber music suuuuucked.
Worst Moment The second verse, when that cheeky Huey almost uses the word ass. Ah, 1984 — such a simple time.
[what else can you say?]
—incidentally, the number-one worst song is also from the mid-80s, but you’ll have to click the link to find out what it is…
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