-
Habenicht Press
Habenicht Youtube
Upcoming Events
No upcoming eventsMarch 2024 M T W T F S S « Jul 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Books
The Aeneid books I-VI
by David Hadbawnik
with images by Carrie Kaser
Shearsman Books
Also available at SPD
Reviews:
Columbia Journal
Boston Review
kadar koli 10
$15 print / free download
The Novice
by John Hyland
SOLD OUT
Sports
by David Hadbawnik
SOLD OUT
The Aeneid book 3
by David Hadbawnik
with images by Carrie Kaser
$8, Little Red Leaves
Review by Steve Mentz
The Aeneid book 4
by David Hadbawnik
with images by Carrie Kaser
$8, Little Red Leaves
Cotton Nero A.x
$11 print / free download
kadar koli 9
Summer 2014
The Aeneid books 1 and 2
by David Hadbawnik
with images by Carrie Kaser
$8, Little Red Leaves
Review by Steve Mentz
Review by Jonathan Lohr
Review by Lisa Ampleman
kadar koli 8
Summer 2013
SOLD OUT
Ballads
by Richard Owens
$12 plus shipping
SOLD OUT
kadar koli 7
Summer 2012
Field Work
by David Hadbawnik
$16, SPD, BlazeVox, Amazon
Review at Jacket2
Interview at Bookslut
kadar koli 6
Spring 2011
$7 plus shipping
Crass Songs of Sand & Brine
by Micah Robbins
Fall 2010
$7 plus shipping
kadar koli 5
Spring 2010
$10 plus shipping
More habenicht publicationsArticles
Editorial projects
Essays
Interviews
Poetry online
- Confessions of a Car Salesman in Press Board Press v. 2
- Essay, poems in Slow Poetry
- Five Sonnets in Vert
- From the Aeneid in Blackbox Manifold
- From the Aeneid in Horse Less Review
- From the Aeneid in Omniverse
- From the Aeneid in seedings
- From the Aeneid on Turntable & Blue Light
- From The White Album in Gone Lawn
- From The White Album on PressBoardPress
- Notebook entries in journal of radical light
- Notebook entries in TAG
- Poems in Cauldron and Net
- Poems in Drunken Boat
- Poems in Exquisite Corpse
- Poems in Little Red Leaves
- Poems in Shampoo 13
- Poems on Turntable and Blue Light
- Reading from Field Work for BlazeVOX
Reviews (of my work)
Reviews (written by me)
Special Issues
WWW
Meta
Category Archives: Form and Theory
What Animals See When They Look At Us — On The Proximity of Animals, p. II
I have here a postcard of an image from a Bill Viola piece. It shows an enormous white owl looming up, wings spread, behind an ordinary office desk. On the desk one sees the dark outline of a lamp, a … Continue reading
Posted in Form and Theory
1 Comment
Rilke and Berger – On the Proximity of Animals (Part I)
A response to Rilke‘s writing on animals, including “A Meeting” and “Mitsou”; John Berger‘s essay “Why Look at Animals?” What’s ultimately denied in the equation of animals in relation to man is the animal in man. This seems obvious, and … Continue reading
Posted in Form and Theory
3 Comments
Swings and Misses
– Response to Celan/Borges et al. I put down the book I’m reading to spoon up the last of my cereal and all at once it hits me: the enormous sadness of breakfast transferred from the act of reading to … Continue reading
Posted in Form and Theory
Leave a comment
Finding Value in the Arts
“New art awakens our resistance insofar as it proposes changes and inversions, some new order, liberates what has been repressed, lets in too early whiffs of an unwelcome future.†— Ted Hughes, “The Hanged Man and the Dragonfly†“I often … Continue reading
Posted in Form and Theory
6 Comments
Word Dreams
A response to Gaston Bachelard’s Poetics of Reverie (“Word Reverie”) and Annie Finch’s Lofty Dogmas. English German Slovene French Welsh Time die Zeit (f) cas (m) temps (m) amser (m) Cash/Money das Geld (n) denar (m) monnaie (f) arian (m) … Continue reading
Posted in Form and Theory
3 Comments
Red Dreams
A response to Joseph Albers, “Interaction of Colorâ€; “On Reds,†by Cennino d’Andrea Cennini; and The Primary Colors by Alexander Theroux On the wall in my kitchen there’s a print of Barrett Newman’s famous painting “Be I,†the original of … Continue reading
Posted in Form and Theory
2 Comments
Poetry and Time
The single biggest factor shaping new measure in American verse is time. As I listen to Bach I engage in the pleasure of the music’s unhurried pace, its calm assurance in returning to the harmonic center, its way of stringing … Continue reading
Posted in Form and Theory
15 Comments